RighteousFilm

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Wed, 01 May 2013 04:39:24 -0400

“You’ll carry that stink of the streets with you the...

Mon, 29 Apr 2013 19:12:37 -0400

“You’ll carry that stink of the streets with you the rest of your life!”

“I like the stink of the streets. It makes me feel good. And I like the smell of it. It opens up my lungs. It gives me a hard-on.”

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Mon, 29 Apr 2013 14:02:20 -0400

Photo

Sat, 13 Apr 2013 18:08:27 -0400

‘Crystal Voice’ by Tangerine Dream is my new jam.

Sun, 24 Mar 2013 18:33:06 -0400

‘Crystal Voice’ by Tangerine Dream is my new jam.

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Sat, 02 Mar 2013 14:53:47 -0500

oldhollywood: Ennio Morricone - The Ecstasy Of Gold (The Good,...

Mon, 25 Feb 2013 04:28:44 -0500

oldhollywood:

Ennio Morricone - The Ecstasy Of Gold (The Good, the Bad, & the Ugly: Original Motion Picture Soundtrack) Vocals: Edda Dell’Orso

“’How does a film-maker make sure his music is heard? Let me give you an example. If someone has not been invited to a party, but wants to go, what does he do?’ [Ennio] Morricone acts out some noisy Italian bonhomie: ‘Hello everybody, hello.’

He pauses.

‘He doesn’t do this. He knocks at the door, asks for permission to come in, enters the house and then starts meeting people. The music in a film must enter politely, very slowly. The composer does not have to write music at the actual moment a character enters a room - it might be too much. So there is this slow, delicate entry, with a simple sound that allows the film-maker to lower the other, naturalistic sounds.

The human ear can distinguish no more than two sounds of different quality at the same time. Some very nice music doesn’t work because of that: if it is too strong, it can become an element that disturbs the film, rather than giving something to it. Yet in some cases the music must be very, very strong, when it is necessary to give a particular dynamic to the storytelling course of the film, rather than, say, a person’s feelings.”

-excerpted from Guardian Morricone profile, “Screen Saver” (via)

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Mon, 11 Feb 2013 16:18:45 -0500

Video

Fri, 08 Feb 2013 17:56:20 -0500

Adult supervision is required

Wed, 09 Jan 2013 17:18:35 -0500

Adult supervision is required

Casting ideas for Godfather by Francis Ford Coppola

Wed, 09 Jan 2013 17:15:14 -0500

Casting ideas for Godfather by Francis Ford Coppola

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Mon, 24 Dec 2012 14:15:36 -0500

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Mon, 12 Nov 2012 18:44:56 -0500

MAN WE AIN’T FOUND SHIT

Mon, 13 Aug 2012 20:44:25 -0400

MAN WE AIN’T FOUND SHIT

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Tue, 24 Jul 2012 20:17:04 -0400

MATINEE is a must-see…will be showing it to my kids one...

Tue, 24 Jul 2012 18:32:58 -0400

MATINEE is a must-see…will be showing it to my kids one day

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Fri, 20 Jul 2012 18:36:04 -0400

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Thu, 12 Jul 2012 14:04:18 -0400

Pink Floyd The Wall (Alan Parker - 1982)

Mon, 18 Jun 2012 00:52:18 -0400

Pink Floyd The Wall (Alan Parker - 1982)

Some Thoughts On 3D

Mon, 18 Jun 2012 00:49:39 -0400

rcjohnso:

The “debate” over 3D has become a polarized polemic, a one-dimensional (sorry) and mind numbingly boring exchange of “3D sucks” “no you suck” back and forths. It gives “film vs. digital” a good run for the title of “discussion I’d most rather chew my own foot off than get sucked into on twitter.” So why am I writing about it? Because even as the debate has (sorry again) flattened, my feelings about stereoscopic photography have grown more complex and nuanced. I’m sure I’m not alone in this. I’m hardly an expert on the topic, technically or otherwise, but I’m setting down my current thoughts just to get them in order, and posting them for anyone who’s interested. If even one foot chewing incident is prevented or delayed, I’ll be happy.

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